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Late Night at the Produce Stand

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What if there was a drink that you could enjoy after your Italian meal that would help with digesting that scrumptious experience? There is! At least, these liquids are claimed to accomplish this.

Those are the words that I had planned to start with today, as I was to end my series on Eating in Italy by covering the ‘Digestivi’ of Italy (not sure what that is? Then come back next time to find out). But hey, something came up that will significantly add to the discussion of the aforementioned ‘Digestivi’. So, that discussion will wait just a short while for things to play out. In the meantime, please enjoy my transformation of a produce stand…that sounds strange doesn’t it? To see of what I speak, read on…

I’ve seen my friend Mike reaching to test the ripeness of a fig at a produce stand...only to have his hand slapped

My goodness, it’s gotten late…and dark. I’ve spent a bit too much time exploring Canareggio this afternoon after returning from a day on the Venetian lagoon-island of Burano, which you can experience here.

Many of the shops of the day turn out to not be shops of the night. However, the neighborhood produce stand is still open. There, I see a woman asking about the produce…and she is in the process of getting a reply from the purveyor.

It’s late afternoon and what I see is not that interesting, so as I process my photos, I want to give this image more a late-night look. And, I want a more intimate repartee between the buyer and the seller. So, I’ve got work to do! Let’s get started.


The Basic Snapshot

As usual, I present to you the original snapshot. There’s a bit too much illumination for what I want to create. So, I’ll create a scene that would occur later in the evening. And do you see intimacy I’m looking for here? No, I don’t either.

The basic snapshot


Let There Be Dark!

I’ve now made this woman’s stop to purchase her supper a bit later…I hope I haven’t spoiled her evening.

From late afternoon to evening


Let There Be Two!

Four persons in the photo don’t lend the image the sense of intimacy that I’m searching for. The other two characters in this tableau have to go. Those who were walking in the background have now mysteriously disappeared…poof!

Extraneous characters removed

Now, 2 are gone…and 2 remain.


Exposure Adjustment

It’s time to adjust the lighting in certain parts of the image. You’ll notice above that the highlights are much too bright. We call that being ‘blown out’ in the digital darkroom. I’ll make some adjustments to the lighting, now.

Blown out lighting toned down


Convert to Black & White

An old photographic axiom is that when colors are not essential to the scene, convert to black and white. I’m invoking that axiom now.

When we say ‘black and white’ in the photographic world, we rarely actually mean that. A photo that has only pure black and pure white would be an extremely high-contrast photo, wouldn’t you agree? That has a place in photography, but not here. To illustrate that point, I’ll show you a version of the photo above which has only pure black and pure white.

Ouch! That doesn’t do much for the intimate mood I’m after…more like a harsh encounter.

 

Below, we now have a grayscale image that has almost completely black in the shadows, to almost white in the lights of the produce stand. Looking at this image below, you may think that there are portions that are pure black and maybe some that are pure white…but there aren’t. My software says ‘No’, and it doesn’t lie. So, we now have an image with a nice gradation of grays, or greys, if you prefer.

Conversion to ‘black and white’


The Final Photo

OK, here it is. I’ve cropped it to a more intimate scene. There appears to be a good interchange between the late-night shopper and the fruit vendor. I’m happy with this final version of “Late Night at the Produce Stand”.

The final version of ‘Late Night at the Produce Stand’

Can you tell what he is showing his customer? He is demonstrating the quality of a large mushroom…probably a portabella by the looks of it on closer examination.


By the Way, What Does That Sign Say?

‘Please, don’t touch’

There’s a sign occupying the center of the photo. I was going to remove it, but I think it relates an important point to you, our Venetian-produce-shopper-of-the-future.

The sign shows a hand reaching out with a “nope, don’t do it” symbol overlaid. And the words, “Por favor, no toque”. Translated it says, “Please, don’t touch”…and this particular sign is in Spanish, by the way, not Italian. There is also a “Bitte nicht beruhren” for the German shoppers. And, there’s even a “Please, don’t touch!” sign for us English speakers, or I should say, readers. You can see those other two signs in the original photo at the top of this page. Why is there not a sign like these written in Italian? Because, they know better.

This is typical of the Italian produce market, and much different than the markets in the US, where one can touch the produce to your hearts content. I’ve seen my friend Mike reaching to test the ripeness of a fig at a produce stand on Campo Santi Giovanni e Paolo (that’s Saints John and Paul, but they’re not who you think they are, but that’s another story) only to have his hand slapped with a harsh, “Non toccare!” So, Mike was relegated to pointing out the figs he wanted, without the benefit of giving them just a little bit of a squeeze to see if they were ripe. So, ‘buyer beware’, and ‘as is’, is the way of the day.


Thus ends another transformation. This one was a bit gentle, with no major changes in construction of buildings, boats, doors, windows, and such.

There will be a time when you might see me at a produce stand in Venice, as I try to sneak a gentle fruit-squeeze to test the ripeness of a chosen delicacy. Maybe we can work together, as you divert the seller’s attention, perhaps asking, “How do I get to Piazza San Marco?”. Let’s do it! But, until then, I say…

Ciao for now,

Steve

p.s. Mike’s figs were ripe and tasty!

Transforming a Door with Garden Above

Let’s take a break from eating Italian style for a quick photo transformation. Working to transform a blah snapshot into a fine art image is where I find myself in my happy place. I like being happy, and I hope that you do, too.


The Starting Snapshot

That lock now raises an interesting dilemma

Today’s starting snapshot comes from Venice. I had visited the Rialto Market early this morning, as one must do in order to see all of the fresh seafood produce displayed. The Rialto Market is in the San Polo sestierie of Venice. Now, I am venturing into new territory to the northwest of the Rialto, and here I came across a rather unusual façade, as you can see in this snapshot.

As usual, things are a bit wonky before the photo editing begins. First of all, the photo has been saved as a RAW image by my camera, rather than the ubiquitous JPEG format of 99.9% of cameras, like the one on your telefonino (mobile phone). If you want to know more about RAW vs JPEG, my previous article here will explain all.

[If you click on an image, you will get a full-screen view]

The starting snapshot

So, this first image has no contrast, saturation, or sharpening applied before it is saved…so it looks rather flat…not to mention distorted. A JPEG would look a lot better, initially. Using my digital darkroom tools of Adobe’s Lightroom and Photoshop, I can fix all to my satisfaction. So, let’s get started on that.


Step 1 - Distortion

My first action is to get rid of the distortion caused by a wide-angle lens as it is aimed up just a bit.

Distortion eliminated

The distortion has now be resolved.


Step 2 - New-World Distractions

I don’t want to present to you an Italy of today, with its modern distractions, like the electrical conduits and house numbers you see above. I explain more about this in my previous, almost ancient, article titled ‘The Venice That Isn’t There’. I want you to see the old Italy…the Italy of 600 years ago. I’m going to get rid of these modern distractions.

Electrical conduit removed

Done. No more electrical conduit or house number.


Step 3 - Saturation, Contrast & Sharpening

Now I will do what your camera does when it saves your images…I’ll add just a bit of saturation, contrast and sharpening.

Saturation, contrast and sharpening is done

Mission accomplished.


Step 4 - That New-World Security Grating

The metal grating to the right of the photo is grating on me…it doesn’t elicit the old-world charm that I am working toward. It has to go.

Metal security grating removed

Gone. It took awhile because there is a shortage of ancient-looking brick in Venice at the moment. They said it has something to do with Covid. After keeping at it, I was able to find the materials and laborers (me, by the way), to get the job done.


Step 5 - Let’s Work on the Door

That door is just a tad too old world…Or just battered and faded. I’m going to give it a quick paint job.

Ouch! It looks more psychedelic than old, like it is from the 70s (the 1970s, not the 1470s). Sorry, I couldn’t help myself. I’ll have to tone it down a whole lot. Now, what color do I want to end up with? Hmmm…


Step 6 - A More Subtle Door Painting

Mi dispiace (I’m sorry). That paint job was horrible. I’ve removed that garishness and I’ve decided to spruce it up with a nice red…not too jazzy…but just right…like the color of a nice glass of Banfi Brunello.

OK, I know…you’re saying, ‘Hey Steve, you left a modern convenience on the door’. You saw that lock, didn’t you? It’s dead-center in the photo to the right. I didn’t see it until I was putting on that horrible paint. I’ve now removed it.

That lock now raises an interesting dilemma. It looks as though the door is in two parts…basically a double door. So, what is the lock doing over to the side of one of those doors, rather than at the middle, to secure the two doors together. A mystery what we won’t be able to unravel at this time. A great excuse for going back to Venice, right? But that’s nothing folks. Some of you may remember a door that had at least six locking mechanisms on it. Refresh your memory, or create a new memory, by checking out this very, very secure entrance door.

Enough talk, I need to get painting.

Red paint applied

The painting has been resolved.


Step 7 - The Patina

Those of you who have been around for a bit know that I always like to finish with the nice patina of old Italy. So, that’s what I’m going to apply, now.

The finished transformation


I hope that you have enjoyed the after-my-journey-in-Venice digital-journey-of-transformation that I’ve produced for you today. We’ve taken a very blah snapshot of an unusual façade, and we’ve transformed it into a fine-art photo.

It was a pleasure to have you beside me on this journey. But, better still, let’s do this…rather than a digital journey into the vast intrigue of Venice, let’s do it together…in person. Oh, I do hope we can do that together some day. But until then, I say…

Ciao for now,

Steve

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Transformation to Remove a Warning

Way back in 2016…you remember 2016 don’t you?…I took you to the island of Burano. You can tap here to recall this very colorful island which sits in the Venetian lagoon. Whilst exploring this unique place, I came across yet another door. I know, I know…that’s what I tend to do when I’m in any part of Venice…or Italy in general, for that matter.

This particular door wasn’t all that photogenic, but I made a snapshot anyway. I thought that I might be able to spruce it up a bit. There was a bit of faded graffiti to the right of the door. And on the door was a dire warning of some sort. But, as you know, that just doesn’t stop me.

The Snapshot

Here is the snapshot…


The Warning Placard

Regarding that warning on this door…what is that, anyway? Let’s take a look. You can click on the image to get a closer look.

We can see that lightening bolt, which normally means ‘electricity’.

And one of the warnings seems to say, “Don’t touch this”. While the other warning lets us know that we shouldn’t throw a bucket of water on a fire here, should we encounter that.

Below that graphic we can see that this is the Mandracchio area of Burano. A mandracchio is a small inlet where one would tie up a couple of boats, which fits well with this island/town of Burano. And the logo at top left suggests that the Enel energy company put this label there. And this ‘cabin’ has been here since January of 1989.

I’ll be darned, this isn’t a door to a residence or business, but its an electrical closet of some sort.

I can hear you now, “Don’t worry about any of that, Steve…go ahead and do your transformation thingie!”. Ok, ok, I’m on it.


The Transformation

The first item is the removal that warning placard. And hey, did you see that kids have been playing a bit of soccer here, as we can see from the soccer ball imprint on the door. Careful kids! And, while I’m at it, I may as well straighten and crop a bit.

The placard is now gone, as is the soccer ball imprint.

Let’s now give the image a bit of color…it’s much too blah.

We’re getting close, but I’m wanting to see a bit more of that Venetian patina. I forgot all about that bit of graffiti to the right of the door…sorry about that. It has to go.


The Final Image

OK, here it is…the final image.


Disclaimer!

Uh oh, the carabinieri are here! I swear that I didn’t remove that placard. Well, maybe I did. But, I’ll put it back, ok? Done!


Endings

Not a lot of charm in this doorway, but what would one expect from an electrical closet, right?

I’ll keep wandering the calle of Burano to see what I can see. I know that there are a few women around who still make handmade lace, so I’ll see if I can find some.

There they are. Well, it appears that one is making lace, one is checking out a catalog, and one is thinking about what she will make for her dinner’s secondi course tonight. Come back next week to find out.


That’s it for today’s transformation. Come back next week to see what sort of possibilities abound with the secondi course at the Italian mealtime. Until then…

Ciao for Now,

Steve

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Transforming to a Foggy Night

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Who doesn’t enjoy a romantic gondola ride? Probably no one, right. We always work in a gondola ride whilst we are in Venice, and you can read more about these adventures in the previous article titled appropriately, Your Romantic Gondola Ride.

But today is not about riding in a gondola, but a gondola-ride-captured snapshot and its transform it into a more fine-art photo. The transformed photo was published in the 2014 Black & White Magazine as an award winner. Here’s how I did it…and it will be short and sweet.

Click on an image to see it full-screen


First Sighting

We had just turned a bend in the Rio di San Moise canal when something up ahead caught my eye, that being the small calle up ahead that terminated right into our canal. You see it there on the left.


The Snapshot

As we approached the right turn of our route, I took this photo. I had a vision.

Funny thing about this photo. Do you see it? The blue and white sign says ‘Senso Unico’, or one-way street (or canal in this case). But we are turning right, against the sign. We’ve turned right every time we’ve taken a gondola ride. Go figure.


The Crop

Here I’ve cropped the photo to a 1:1, or square, format.


Black & White Conversion

As I was submitting this photo to a magazine that publishes in black and white, I converted the image to…you guessed…black and white.


Let There Be Dark!

I don’t want it to be day time. I want night time. So, I made it darker. I think it’s much more moody this way.


The Final Image

I like the night-time look, but let’s give it just a bit more drama by making it not just night, but a night with a bit of fog. That’s what I did to get this final photo.


As promised, short and sweet.


A Dangerous Calle

I’ve mentioned acqua alta (high water) in the past. This is an occurrence primarily in the late fall when tides and winds push up water from the Adriatic Sea and Venetians get their feet wet as they go about their day…and their calves, and sometimes their knees and thighs.

There are several places in the labyrinth of Venice where a calle will suddenly stop at a canal, like this one. If one were to be trudging through water and turn to this short calle, and if one were not familiar with this particular situation, a swim might be in one’s future, as you would not realize that the water in front of you is a canal, rather than another flooded calle.

I see the stone post in the photo. I’m guessing that this is a clue as to the fate of this calle, though I don’t remember seeing them at other dead-end calle. At any rate, if caught in the acqua alta situation, be mindful of your route.


I hope you enjoyed today’s transformation from blah, to ahh. Until next time, I say…


Ciao or now,

Steve

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Transforming a Blah Green Door to Evening Blue

For the benefit of the several new readers, I don’t just write about things Italian…I also have a ‘Print Store’ on this website. In that shop are many photos of doors and windows of Italy. The time that I take to process the snapshots that I’ve taken in Italy into fine-art photos for you is my ‘happy time’.

Yesterday a friend asked, ‘When was the last time you were in Italy?’ I replied, ‘I’m in Italy every day.’
— Steve Burkett

The centuries-old buildings of Italy are a fabulous testament to the Italian craftsmen of old. However, because of the buildings’ ancient stone and plaster construction, adding modern conveniences like water and electricity often blemish the otherwise beautiful and charming façades. I want you to see these marvelous palazzos and common buildings in their pre-modernized state. So, what I do is remove blemishes through the magic of Photoshop to bring you the Italy of yesteryear.

Today, I give you a simple example of my digital architectural restoration. The door and façade to be transformed was photographed in Venice.


Where I Start

As always, I start with the original photo. My photos will always appear as blah when downloaded to my computer. When using a professional digital camera, one has the obligation to save photos in what is known as a “RAW” format. Saving photos in RAW format allows a much greater range of subsequent digital processing than a JPEG image from a typical camera, like your smartphone. But the tradeoff is that the JPEG format looks much better initially than an unedited RAW photo.

Enough said…and if you are interested, you can see more in a previous article of JPEG versus RAW which goes into more depth here.


Now, the Transformation

This original snapshot is all wonky, isn’t it? Because I had to capture the façade in the tight quarters of a narrow Venetian calle, I took the photo using a 14mm lens, which is an extremely wide-angle lens. A wide-angle lens will create distortion. So, I’ll have to get to work by straightening up this scene a good bit.

The original image, with significant distortion


In this second version, much, but not all, of the distortion has been resolved.


Just a bit more work puts things in proper perspective. And that note about mail delivery that’s been taped to the door? It had to go.


Here is where the restoration begins. I don’t like that dull green door. I’ve decided in my own volition that the door should be blue. So, I’ve made it blue.

The surface of the walkway in front of the door needs to be constructed, so I’ve done enough of that to satisfy my vision for the final photo.

And the plinth on which the pseudo-column to the right sits has to be constructed in this renovation…so, I’m on it.


Well, in my final crop of the image, it turns out that I didn’t need all of that pavement after all, but the plinth work was essential.


The Final Image

In the final photo, I wanted it to look like the palazzo is occupied and that someone is at home, waiting for you and me to drop by for an apertivo…and from last week’s article, you should now know what that is, right? So, I borrowed backlit lights above the door from another photo of Venice.

So, now you’ve seen behind the curtain in the transformation of a blah green door, to evening blue.


That’s it for today’s rather simple restoration of an ancient Venetian doorway. If you are interested in seeing more magical door and window transformations, check out my Index of Articles and scroll way down on the right-hand list to find, “Italy-Photo Transformations”.

I’ll see you next week to find out what the antipasto course is all about in Italian dining. Until then, I say…

Ciao for now,

Steve

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